Starting in the mid-seventies, Alejo paints still lifes borrowing from the 17th century Dutch School’s technical virtuosity, themes and the uses of light and shadow.
Alejo fully explores the volumetric, tactile, chromatic, and luminous qualities of flowers, fruits and a variety of objects.
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“Pyramide de mangues sur un panier”
oil, 1981
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“Amarilys”
oil, 1991
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“Florida Hybiscus”
oil, 1992
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“Trois pommes sur nappe”
oil, 1981
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“Three lemons”
oil, 1991
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“Fruits exotiques pour affiche”
guache, 1982
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“Timbales aux roses”
oil, 1988
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“Miche de pain sur table”
oil, 1986
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“Paniers Nº IV”
oil, 1985
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“Œufs sur assiette et camember”
oil, 1980
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“Objets avec œuf d’autruche”
oil, 1990