Alejo Vidal-Quadras defines himself as a realistic expressionist. His landscapes rich with the Spanish pictorial tradition confirm this self-definition, e.g. his painting View of Toledo, imbued with the arid atmosphere of a Castilian late afternoon.
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“Vista de Toledo”
oil, 1955
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“Le Théâtre Hébertot”
oil, 1948
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“Vue de New York”
charcoal, 1978
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- “Roquebrune la nuit”, ink on paper
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“Les invalides et garde Républicaine”
oil, 1968
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“Carroussel, Tuilleries”
oil, 1968
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“La cour Carré du Louvre”
oil, 1985
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“Athens sun setting”
mixed technique, 1975
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“Coucher de soleil à Athènes”
blue pen study for the painting
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“Marée basse à Noirmoutier”
oil, 1977
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- Pencil sketch for “Marée basse à Noirmoutier””
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- “Le Pont des Arts”, pen and ink, Paris, 1991
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“West Palm Beach Railroad Station”
pen and ink, 1992
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“Les Travellers Club Champs Élysées”,
oil, Paris, 1989
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““Marquise de Ravennel’s garden”
pastel, Soissons, France
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“Square at Pigalle”
blue fountain pen, Paris circa 1948
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“Village sur mer”
charcoal, 1966
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“Les Invalides”
pen and ink, ,1966
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- “Place des Victoires”, engraving, 1960
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Mansion
pen and ink sketch, Paris
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Les Invalides “Journée Officielle”
pencil, Paris
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“Eglise de Cadaqués II”
blue ballpen, Catalunia
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“Bird’s-eye view: La Cour Carrée du Louvre”
pencil sketch for the painting
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“Louvre, central detail”
pencil, Paris
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Outdoor pissing in Paris
blue pen, Paris cerca 1950
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Outdoor pissing in Paris
blue pen, Paris cerca 1950
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- pencil study for the “Bateaux au Port”
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Bus 67
blue pen drawing
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“Palmiers au vent”
pen and ink drawing, Palm Beach
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“Passage sous l’arche 34″
pencil study for the painting
